“At the Birchmere, the set was occasionally weakened by stereotypical arrangements with obligatory guitar solos and generic saxophone interludes. The combo sounded best when the focus was on the vocalists: the raspy soul of Sweet Pea Atkinson, the middle range of Sir Harry Bowens, and the falsetto of Donald Ray Mitchell. Mitchell’s lead made the new tragic ballad “From the Head to the Heart” work, while the three added church-rooted harmonies on several cuts.”
Review by Steve Kiviat at The Washington Post
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